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| I got the nickname 'Nod' in 1965, when I was 11 in the Second Forest Hall scout troop. I started performing in the late 1970's, when punk got going in Newcastle. The Big G. were one of the town's first punk bands, (they practiced in our living room), and when they split, the Weights arose from the ashes. I used to support the Weights in gigs around the Quayside and around the North East. I got into anti-nuke politics and helped occupy the site for the future Torness Nuclear Power Station. When Ronald RayGun sent his Cruise Missiles over to Greenham Common, there was quite a developed and organised network of protest. There were a lot of big CND marches. As well as performing in clubs, I also did work for the anti-nuke movement on Tyneside and I was a member of the Red Umbrella collective. I even got on local Television - and John Walters programme on Radio 1. I did some early Glastonburys, in the theatre tent, but my prize gig was supporting the Clash at Newcastle City Hall. Most of my work was delivered in a broad Geordie accent. | ||||
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| Daz Proctor and Gamble, a big American multinational, who also played a role in the management of US nuclear weapons, had a factory in Newcastle. They make 'Daz' only for the UK market it seems. This was often requested. Here is the single version I did for Red Rhino Records, with Jane Wade sharing vocals and Len Frame on Guitars. You can still get it on Vinyl in London or Japan. |
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| Dad This was actually the A side of the single. I guess it was a bit arty and Beatles-ish. I recorded some of the radio samples from Radio Moscow on my short-wave. This piece was published in Iron Magazine. Patrick X was studying at the Royal College of music. He was a friend of a friend and he came up to arrange the strings. Ali Church plays Viola and Rob and Penny, two art student friends played guitar and cello respectively. |
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| North Sea Oil There was so much hype about NS Oil at the time. It was the early days of milk-snatcher Thatcher's reign of terror. Len Frame and Jim Bennett, a friend from Dublin, on guitars. |
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| I Got Born Part one of my surreal Geordie autobiography, very influenced by Ivor Cutler. When John Walters broadcast it on Radio 1, I actually had a letter of encouragement from Ivor himself. I was very proud of that. I recorded this at Spectro Arts Workshop in Newcastle, with a grant from Northern Arts. Sid Smith produced this and wrote the synthesiser parts. |
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| Everybody Wanna Be a
Nartist Recorded in Andrew Leon's living room in Jesmond. It's me on guitar and Andrew on Harmonica. His girlfriend played claves. I was a nude model at the Polytechnic in Newcastle at the time, and we had lots of friends who were studying Fine Art. Some were a little full of themselves and this was an attempt at criticism! A more polished version was broadcast by BBC TV. |
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| Where You Been? Live and drunk in the students union bar at Newcastle University. |
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| If I Had a Bomb Sid Smith helped me with this one too, which was also recorded at Spectro. I played guitar and Sid tweaked it. |
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| The Conversatron Also live and drunk, this time at the Buddle Arts Centre, Wallsend. |
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| War On The Scroungers Recorded at the same time as the Red Rhino singles, but not released at the time. This was the paranoid view from the dole queue at Swan House in Newcastle. Len Frame on electric guitars this time, with Dave on bass, Norman Emerson on drums and the lovely Stella Artois on sax. The spirited rendition at the end features Christopher, Angela and Eunice Acolatse. |
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| Bombay This is a reflective piece by my mate Les Haddon, which he wrote on his first return from India. Recorded at Spectro. |
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Looking a bit full of
myself |
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